In the middle of a nursing career, iconography came into my life as a complete surprise. It presented as an uncompromising penchant to paint the Blessed Mother as she represents the soul of different countries in the belief system of Ho'oponopono from the Hawaiian culture. This calling has become a passion and journey into sacred art, the materials and methods used in the Byzantine era and the theology and sacred beliefs of cultures of the world.
Icon painting is called writing as if it is considered writing the Word of Divinity in paint. This writing process is accompanied by reverence and prayer from the beginning research to the finished icon. My subjects are those suggested or requested by others, images that I find challenging and aesthetically appealing, and those that come to me through inspiration, research and study. My aspiration is to create images that impact people's lives as an object of beauty, inspiration or healing.
The use of ancient materials and techniques is time consuming and challenging. Mixing the old recipes in the right proportions and with consideration for altitude and humidity, among other variables, is akin to a chemistry course. Since all materials used are from natural matter, they respond to the environment, and not always according to theory. Historical research and accuracy are significant to the writing of icons. Vestments, costume, location, and symbols are some of the items which need historical authenticity. Even writing in the language of the culture may be required, such as Korean, for St. Kim Taegon, the first Korean priest and martyr.
This passion and Divine Appointment for sacred image painting is a vital part of my daily life and continues to humble and teach me more than I can ever give through it to others. Each commission is a gift to me. I have found that Sacred Art can have significant positive transformative power for the appreciator as well as the creator.
